"Until Nothing Remains” is based on countless reports from Scientology dropouts and shows the sect’s unscrupulous actions.

In a future ruled by algorithms, Sam (22), a young architect, undergoes a job interview with a strict AI interviewer. A series of failed interviews leaves him trapped within algorithmic standards that grow increasingly absurd and inhuman. In his efforts to adapt to the system, Sam is forced to change his way of thinking and suppress his humanity, until he gradually loses his sense of self.

Set in the 1950s, the plot follows the fictional creation of the first Brazilian TV station.

A Windrush migrant is employed as a servant on an estate, presumably to look after master and manor, including a collection of colonial artefacts, but soon discovers he was actually procured to be part of its most prized possessions.

For years, he has neglected his family in Hong Kong to tend his business in Mainland China. Back in Hong Kong after his father's death, the man discovers his son's childhood diary. As he reads about his son's life with his father, the man realizes that he has let his son's childhood pass by him. Filled with regret for both his father and his son, the man decides to make an effort to mend his relationship with his son. However, is it already too little, too late?

Hong Kong movie

This series of "days-in-the-life" (6) is without a doubt one of the funniest and best-acted pieces I've ever seen. The two principles, Julia Davis and Rob Brydon, have a very well-defined sense of comedic timing, and their characters are at once hilarious and pitiful. The makeup deserves credit as well; I was half-way through the second episode before I realized that I was watching the same acters. (that's "acters" as opposed to actors, as opposed to actresses) This is good stuff, and I can hardly wait until this is available on DVD. I just hope we can get (at least) another six out of Davis and Brydon...

An accident brings Ana back to Buenos Aires, to the turbulent reunion with her past and the delayed mourning of her first love.

A woman and her mother deal with the arrival of her father's dead body.

西暦2062年、惑星探査を終えて地球に帰還した宇宙船は、地表を覆う核爆発を目の当たりにする。放射能汚染を避けるため宇宙船は沖縄近海の海底へと不時着。科学者のリュウ夫妻は、地球の再生を幼い娘アマミクとスーパーコンピュータ・メイザックシステムに託し、自らは冷凍睡眠へと入った。それから90年後、わずかに生き残った人類は汚染された地球を離れ、生体コンピュータが制御するバチスフェアでその余命を保っていた……。